Now in its sixth edition, 3hd 2020 will act as a queer-feminist biotope created by Creamcake. "UNHUMANITY" deals with a system of human and non-human forces, built around an interconnected habitat of art, music, performance, digital culture, and its relationship to the more opaque idea of Nature Herself. The festival’s program is an expression of a transition between an untenable past and an uncertain future, while recognizing natural and technological actors as equal partners, and bringing its audience closer to a new model for an interspecies community.
In an era of climate change and pandemic, 3hd 2020 will implement a decentralized and dislocated festival structure across different locations around the globe. Los Angeles, Milan, and the woods of Norway, are just some of the nodes in the neural network of the extended ECO-centers organism, branching out from its usual base in Berlin. While there will still be events at HAU Hebbel am Ufer and Gallery at Körnerpark from November 3 to 7, Creamcake will commence their multidimensional program, online and IRL, starting on August 20 and running to January next year.
View our archive at http://3hd-festival.com/archive.
Team
Co-Founder & Artistic Director
Daniela Seitz
Co-Founder & Managing Director
Anja Weigl
Curation & Project Management
Tomke Braun
Editor and researcher
Steph Kretowicz
Press & Communication
Giselle Gordon
Communication Assistant
Atefa Omar
Production Assistant
Buyegi Kisalya
Design
Jon Lucas
Photography & Video
Ink Agop & Jannik Schneider
3hd 2020: “UNHUMANITY”
Visitor & Service Information
Due to the current COVID-19 situation, we have implemented adapted health and safety regulations with every venue for our audience.
Ticketing/ Entry
Hygiene regulations in the event area
Gastronomy/ Service/ Team
Accessibility information by venue
If you still have questions or need help, please contact our team at production@creamcake.de.
Venue: Kleiner Wasserspeicher
Address: Diedenhofer Str. 10405 Berlin
Website
Barrier-free entry/ Special:
A barrier-free entrance to the water reservoir is accessible via Kolmarer Straße, which is suitable for people with limited mobility, wheelchairs and prams. There are no restrooms at Großer Wasserspeicher. Parts of the paths are paved with cobblestone. Our team is happy to assist you.
Venue: Großer Wasserspeicher
Address: Belforter Str. 10405 Berlin
Website
Barrier-free entry/ Special:
A barrier-free entrance to the water reservoir is accessible via Kolmarer Straße, which is suitable for people with limited mobility, wheelchairs and prams. There are no restrooms at Großer Wasserspeicher. Parts of the paths are paved with cobblestone. Our team is happy to assist you.
Venue: HAU Hebbel am Ufer
Address: HAU2, Hallesches Ufer 32, 10963 Berlin
Website
Barrier-free entry/ Special:
HAU2 is barrier-free. There are two marked parking spots in front of the building (in Großbeerenstraße). A wheelchair ramp and lift, as well as barrier-free restroom facilities are available. Advance notification advised via service@hebbel-am-ufer.de or +49 (0) 30 259004-102.
Venue: Galerie im Körnerpark
Address: Schierker Str. 8, 12051 Berlin
Website
Barrier-free entry/ Special:
Visitors who require a barrier-free entrance or exit have the opportunity to use the ramp in the park. Barrier-free restroom facilities are available.
Venue: Schloss Biesdorf
Address: Alt-Biesdorf 55, 12683 Berlin
Website
Barrier-free entry/ Special:
Access to Schloss Biesdorf is barrier-free. Barrier-free restroom facilities are available.
Join artists Alice Yuan Zhang & Alexander Kaye for a guided online walkthrough of their new project, Requiem for Lost Plants, commissioned by Creamcake & NAVEL as part of 3hd Festival.
From the colonization of Tongva, Chumash, and Kizh land to the ongoing urbanization of Los Angeles, whole ecological communities have been uprooted without acknowledgement. Requiem for Lost Plants calls for reversing death. Artists Alice Yuan Zhang and Alexander Kaye digitally resurrect diminishing plant elders to share their stories for a global public through an immersive online environment, and for locals through site-specific augmented reality filters.
Requiem for Lost Plants is created by Los Angeles-based artists Alice Yuan Zhang and Alexander Kaye for 3hd Festival 2020: UNHUMANITY, commissioned by Creamcake and NAVEL.
Alice Yuan Zhang (she/her) is a mixed reality artist, designer, and program organizer. Her work bridges the sacredness of natural environments with the speculative power of human-made ones, inviting exploration into interspecies empathy, generative networks, and the illusion of agency. She is the co-organizer of virtual care lab, a current resident artist at CultureHub, and an involved member of NAVEL. Alice studied at University of California,
Alexander Kaye (he/him) is an artist born near Detroit Michigan and currently residing in Los Angeles California. His practice began in writing and producing music and has since expanded into sound and visual art. He creates experimental music with modular synthesis, field recordings, audio manipulation, chance/aleatoric techniques, and traditional instrumentation. Often finding creative guidance through random operations, he embraces unknown variables as part of the process that influences all of his work.
In-depth ecological guidance was generously provided by Parker Davis at Hahamongna Native Plant Nursery, Sophie Katz at UCLA Botanical Garden, and Mika Perron at Audubon Center. Additional thanks to our friends at Roundhouse Platform for sharing their knowledge on the Los Angeles landscape.
The project was implemented online by New York-based Creamcake Jon Lucas with Creamcake. Site-specific augmented reality filters were installed by Los Angeles-based photographer and NAVEL Community Program Intern Gbenga Komolafe.