Now in its sixth edition, 3hd 2020 will act as a queer-feminist biotope created by Creamcake. "UNHUMANITY" deals with a system of human and non-human forces, built around an interconnected habitat of art, music, performance, digital culture, and its relationship to the more opaque idea of Nature Herself. The festival’s program is an expression of a transition between an untenable past and an uncertain future, while recognizing natural and technological actors as equal partners, and bringing its audience closer to a new model for an interspecies community.
In an era of climate change and pandemic, 3hd 2020 will implement a decentralized and dislocated festival structure across different locations around the globe. Los Angeles, Milan, and the woods of Norway, are just some of the nodes in the neural network of the extended ECO-centers organism, branching out from its usual base in Berlin. While there will still be events at HAU Hebbel am Ufer and Gallery at Körnerpark from November 3 to 7, Creamcake will commence their multidimensional program, online and IRL, starting on August 20 and running to January next year.
View our archive at http://3hd-festival.com/archive.
Team
Co-Founder & Artistic Director
Daniela Seitz
Co-Founder & Managing Director
Anja Weigl
Curation & Project Management
Tomke Braun
Editor and researcher
Steph Kretowicz
Press & Communication
Giselle Gordon
Communication Assistant
Atefa Omar
Production Assistant
Buyegi Kisalya
Design
Jon Lucas
Photography & Video
Ink Agop & Jannik Schneider
3hd 2020: “UNHUMANITY”
Visitor & Service Information
Due to the current COVID-19 situation, we have implemented adapted health and safety regulations with every venue for our audience.
Ticketing/ Entry
Hygiene regulations in the event area
Gastronomy/ Service/ Team
Accessibility information by venue
If you still have questions or need help, please contact our team at production@creamcake.de.
Venue: Kleiner Wasserspeicher
Address: Diedenhofer Str. 10405 Berlin
Website
Barrier-free entry/ Special:
A barrier-free entrance to the water reservoir is accessible via Kolmarer Straße, which is suitable for people with limited mobility, wheelchairs and prams. There are no restrooms at Großer Wasserspeicher. Parts of the paths are paved with cobblestone. Our team is happy to assist you.
Venue: Großer Wasserspeicher
Address: Belforter Str. 10405 Berlin
Website
Barrier-free entry/ Special:
A barrier-free entrance to the water reservoir is accessible via Kolmarer Straße, which is suitable for people with limited mobility, wheelchairs and prams. There are no restrooms at Großer Wasserspeicher. Parts of the paths are paved with cobblestone. Our team is happy to assist you.
Venue: HAU Hebbel am Ufer
Address: HAU2, Hallesches Ufer 32, 10963 Berlin
Website
Barrier-free entry/ Special:
HAU2 is barrier-free. There are two marked parking spots in front of the building (in Großbeerenstraße). A wheelchair ramp and lift, as well as barrier-free restroom facilities are available. Advance notification advised via service@hebbel-am-ufer.de or +49 (0) 30 259004-102.
Venue: Galerie im Körnerpark
Address: Schierker Str. 8, 12051 Berlin
Website
Barrier-free entry/ Special:
Visitors who require a barrier-free entrance or exit have the opportunity to use the ramp in the park. Barrier-free restroom facilities are available.
Venue: Schloss Biesdorf
Address: Alt-Biesdorf 55, 12683 Berlin
Website
Barrier-free entry/ Special:
Access to Schloss Biesdorf is barrier-free. Barrier-free restroom facilities are available.
Isabel Lewis’s persistent experimentation and embodied research practices create formats for alternative modes of sociality between human and more-than-human agents in transdisciplinary ways. For the internationally renowned artist, dancer, DJ and theorist, any given format suggests ways of ordering the sensible. How to engage with format is a deeply political question. “Hosted occasions”, “open spaces”, “occurrences”, “arrangements”, “activations” “expanded viewings”, “sensory parcours” as well as workshops, lecture performances, listening sessions and party nights such as the nine-years-running Bodysnatch series in Berlin are to be found in the history of Lewis’s work.
Trained in literary criticism and philosophy, and with her artistic roots in dance, Lewis employs an expanded sense of the choreographic that centers its focus around generating affective bodily experiences that address all of the senses in her inherently collaborative practice. Lewis maintains long-standing collaborations with smell researcher and artist Sissel Tolaas, Berlin-based sonic entity LABOUR, painter and ceramicist Matthew Lutz-Kinoy, visual artist Dirk Bell, theorist and classics scholar Brooke Holmes, and Juan Chacón of the architecture collective Zuloark. Lewis has created works around such topics such as open source technology and dance improvisation, social dances as cultural storage systems, future bodily techniques, rapping as an embodied speech act, and sociologist Roslyn Bologh's concept of erotic sociability. She has presented at Roskilde Festival, Tate Modern, Kunsthalle Basel, Frieze London, Liverpool Biennial, Serpentine Galleries, Palais de Tokyo, and Sharjah Biennial, among others.