Now in its sixth edition, 3hd 2020 will act as a queer-feminist biotope created by Creamcake. "UNHUMANITY" deals with a system of human and non-human forces, built around an interconnected habitat of art, music, performance, digital culture, and its relationship to the more opaque idea of Nature Herself. The festival’s program is an expression of a transition between an untenable past and an uncertain future, while recognizing natural and technological actors as equal partners, and bringing its audience closer to a new model for an interspecies community.
In an era of climate change and pandemic, 3hd 2020 will implement a decentralized and dislocated festival structure across different locations around the globe. Los Angeles, Milan, and the woods of Norway, are just some of the nodes in the neural network of the extended ECO-centers organism, branching out from its usual base in Berlin. While there will still be events at HAU Hebbel am Ufer and Gallery at Körnerpark from November 3 to 7, Creamcake will commence their multidimensional program, online and IRL, starting on August 20 and running to January next year.
View our archive at http://3hd-festival.com/archive.
Team
Co-Founder & Artistic Director
Daniela Seitz
Co-Founder & Managing Director
Anja Weigl
Curation & Project Management
Tomke Braun
Editor and researcher
Steph Kretowicz
Press & Communication
Giselle Gordon
Communication Assistant
Atefa Omar
Production Assistant
Buyegi Kisalya
Design
Jon Lucas
Photography & Video
Ink Agop & Jannik Schneider
3hd 2020: “UNHUMANITY”
Visitor & Service Information
Due to the current COVID-19 situation, we have implemented adapted health and safety regulations with every venue for our audience.
Ticketing/ Entry
Hygiene regulations in the event area
Gastronomy/ Service/ Team
Accessibility information by venue
If you still have questions or need help, please contact our team at production@creamcake.de.
Venue: Kleiner Wasserspeicher
Address: Diedenhofer Str. 10405 Berlin
Website
Barrier-free entry/ Special:
A barrier-free entrance to the water reservoir is accessible via Kolmarer Straße, which is suitable for people with limited mobility, wheelchairs and prams. There are no restrooms at Großer Wasserspeicher. Parts of the paths are paved with cobblestone. Our team is happy to assist you.
Venue: Großer Wasserspeicher
Address: Belforter Str. 10405 Berlin
Website
Barrier-free entry/ Special:
A barrier-free entrance to the water reservoir is accessible via Kolmarer Straße, which is suitable for people with limited mobility, wheelchairs and prams. There are no restrooms at Großer Wasserspeicher. Parts of the paths are paved with cobblestone. Our team is happy to assist you.
Venue: HAU Hebbel am Ufer
Address: HAU2, Hallesches Ufer 32, 10963 Berlin
Website
Barrier-free entry/ Special:
HAU2 is barrier-free. There are two marked parking spots in front of the building (in Großbeerenstraße). A wheelchair ramp and lift, as well as barrier-free restroom facilities are available. Advance notification advised via service@hebbel-am-ufer.de or +49 (0) 30 259004-102.
Venue: Galerie im Körnerpark
Address: Schierker Str. 8, 12051 Berlin
Website
Barrier-free entry/ Special:
Visitors who require a barrier-free entrance or exit have the opportunity to use the ramp in the park. Barrier-free restroom facilities are available.
Venue: Schloss Biesdorf
Address: Alt-Biesdorf 55, 12683 Berlin
Website
Barrier-free entry/ Special:
Access to Schloss Biesdorf is barrier-free. Barrier-free restroom facilities are available.
For its fourth collaboration in its “ECO-Centers” companion program, 3hd 2020 partners with Terraforma, an international music festival dedicated to artistic experimentation and sustainability usually taking place in the garden of Villa Arconati, near Milan. This year's festival has been postponed until July 2-4 2021 due to pandemic. In the meantime, the team behind the series carries on the spirit of community and exchange remotely through an online film program, featuring works by local artists Ruben Spini and Natália Trejbalová. It examines philosophical approaches questioning anthropocentrism, and researches alternative communication with non-human agents.
"Some are Born to Endless Night" is an 8-hours long broadcast interruption & a thousand words memoir by Ruben Spini, designed as a waiting room for recollection, grief and daydreaming. By mounting nest webcams, researchers and enthusiasts have the chance to monitor the behavior of different bird species over several days, seasons and years. This cyclicity is recorded and broadcasted without geographical limitation, every stream a morphing cut out throughout the years. The horizon line tilts every time the wind rises, since the camera swings with the tree to which it is bound: a newborn’s perspective in its cradle. Or rather, it is a dark probability cloud—since the nests are often abandoned, the cameras left streaming behind them as witnesses to some private apocalypse. As French philosopher Simone Weil writes, “If I go, then the creator and the creature will exchange their secrets. To see a landscape as it is when I am not there...”